DON'T GO IN THE HOUSE (1979) Dir: Joseph Ellison - Cine-Apocalypse

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Monday, 7 January 2013

DON'T GO IN THE HOUSE (1979) Dir: Joseph Ellison


Here's a nice slice of late 70s nasty exploitation, Don't Go In The House is the controversial film in question and this review comes from our resident horror reviewer, Richard Long, so if you like Horror movies that are actually horrible (not in a bad way) then click read more and checkout Richard's review after the jump...


Written By Richard Long
I’d heard lots about this film from various video nasty documentaries and books but hadn’t seen it until it was released on the Arrowdrome label. I had seen the early video sleeve by Arcade Video which, judging by its cover, expressed to me this was going to be a grungy awful horror movie that psychopaths might enjoy whilst eating raw fish heads and torturing small puppies. What I didn’t realise at the time was Arcade Video were great at producing striking and shocking video sleeves that sometimes were more shocking than the film they were advertising.
Don’t go in the House reminded me of all the American horror movies I’d watch in the 80’s, like Friday 13th and The Burning. It has a real nostalgic feel for me – having never seen it – of the video rental days and the low budget horror movies I would discover.

Donald is a disturbed young man who, after an abused childhood in which his mother would physically burn him to rid him of evil, grows up having an obsession with fire. The film opens with Donald being mesmerized when a co-worker is engulfed during a freak accident. Afterwards Donald returns home to discover his mother is dead and he is free from her tyranny and with ghostly voices echoing his head, mixed with the torments of his mother, Donny decides along with smoking and listening to disco records, to punish all women who remind him of his wicked mother. It does sound very Psycho and during the early stages of the movie you can clearly see where it takes its inspiration from.

So Donald rings in sick and panels the walls in a bedroom with steel and chains before picking up a victim and setting her on fire with his flamethrower. Nasty!
Now I know why the BBFC had such a gripe with this early scene, which is the artwork used on the Arcade video sleeve. The effects in this scene are grim but highly well done and of course nowadays it’s clear to see how the effect is done. Gore aside this scene is pivotal to the film as it shows what Donald is capable of and the lengths his psychosis has driven him too. I discovered besides this early scene, this film isn’t a gore fest and is a well crafted movie. During the slaughter of Donald’s next victims we aren’t given the chance to see their tormented death because, of course there is no need too. We have already seen what Donald does and this film isn’t about shock value but works more effectively with its high tension. However, worth mentioning must be when the film was released and the early scene I’ve mentioned was cut out completely thanks to the BBFC. I can imagine viewers felt rather cheated.

Almost every other shocking murder happens off screen. There is high tension as unlucky victims fall for Donald’s charms and, just when you think the film is becoming too bleak, Donald is convinced by a wife cheating colleague to go to a disco and it’s here were we have some wonderful comic relief moments. Donald tries on the latest 70’s fashion in a clothes store with a camp store worker, which is filmed and played brilliantly. It’s a scene that takes all the tension and darkness away and allows the viewer to take a breath before the bizarre second act. We also have a wonderful disco scene where Donald decides to thrust his dates head into a candle in over the top comedy (which isn’t played for laugh).
By this point, the movie has stripped away the subtlety of the first half and replaced it with zombie like creatures of the women Donald has killed, over the top screaming and a bizarre ending which seems almost tagged onto it.
I enjoyed this movie in the same way I liked the Burning or Friday 13th. It’s not disturbing or depressing like Henry: Portrait of a Serial Killer and it’s not boring or nonsensical like Driller Killer.
Don’t go in the House was made as a drive-thru movie and there are some slices of America in it which remind me fondly of the movies I grew up on. It also, for all its Psycho influences, is a very well shot movie with great acting and a storyline that is always moving forward with a nice pace to it. The tension in scenes where Donald is building his torture room and calling in sick is wonderfully filmed, and leaves the viewer dreading what could be about to take place.
Like many video nasties this shouldn’t have been labelled one. Its well made and crafted and reminded me of late night video rentals. 


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