THE YAKUZA (1974) Dir: Sydney Pollack - Cine-Apocalypse

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Wednesday, 20 March 2013

THE YAKUZA (1974) Dir: Sydney Pollack


This review is part of the BAD ASS ALPHABET, what's this is hear you say? The Bad Ass Alphabet consists of 26 bad ass films each starting with a letter of the alphabet. These reviews will all be out of sequence because of the time frame in which it being done and because i have reviews coming from different people. The first is the letter Y and it comes in the form of THE YAKUZA...

Three years before his underrated revenge masterpiece Rolling Thunder, Paul Schrader, along with Robert Towne wrote a screenplay based on a story by Schrader's brother Leonard who also wrote a crazy looking Japanese film called The Man Who Stole The Sun and was apparently an expert of Japanese culture. The film mixed 40s film noir, 70s action and Japanese crime cinema into a plot that follows a former private eye, hired by a friend to go to Japan to find and rescue his daughter who is being held hostage by the Yakuza because the father made a deal to buy guns but took the money and didn't provide the product.

Harry Kilmer (Robert Mitchum), hero of the film, has a great knowledge of Japan as he was stationed there during and after WW2, so Harry along with his new sidekick, the young Dusty (Richard Jordan), arrive in Tokyo where Harry's old friend greets them and takes them back to his place. Harry sets out to locate the missing girl but needs the help of a former Yakuza who has turned away from the life called Tanaka Ken, Ken is the brother of the woman who Harry fell in love with all those years ago. Harry manages to persuade Ken to take up his sword once again and after Ken kills a couple of men when they go looking for the girl, he finds that he has a price on his head so Harry decides to help him clear his name by basically killing as many Yakuza as possible to get to the man who put the hit out on Ken.

There's more in the plot but it would contain a lot of spoilers. There's a definite hard boiled feel to The Yakuza, it feels like a film that could have been made in the late 40s, early 50s coupled with the kind of Yakuza films the director Kinji Fukusaku was making during the 70s like Graveyard Of Honour and Street Mobster, but shot through the eye of Sydney Pollock during his best decade. The look of the film is fantastic, it has this 70s look with the Pichinko palaces and night clubs but also the look of classic Japan, paper houses, bamboo and sliding doors which adds a lot of authenticity to the film.

What makes The Yakuza so bad ass?
Robert Mitchum is the answer to that question. Mitchum brings an old school swagger to the role of Harry Kilmer, the man has seen some shit go down in his life, he's a former hard ass, ex-private eye, ex-military police officer and dab hand at shooting someone in the face, who when we meet him is checking on his flowers while dressed in a dressing gown. Kilmer has retired, he's living a normal life but his friend needs him. Kilmer doesn't hesitate in picking up his guns for one last showdown and even though Mitchum was getting on he could still out cool the best of them. While doing a bit of research on the film I found out that Mitchum wasn't the first choice for the role of Kilmer, Lee Marvin was originally attached to star with his Dirty Dozen director Robert Aldrich attached to direct but when Mitchum came on board he forced out Aldrich and Pollack stepped in. Lee Marvin is cool as fuck but he's cool in the same way Clint Eastwood is cool, there's more of an intensity to their persona's where as Mitchum has this awesome laid back swagger which suited the world wary Kilmer, I would have liked to have seen what Marvin brought to the character but Mitchum does a pretty fucking cool job.

Then there's the character of Tanaka Ken played brilliantly by Takakura Ken (Black Rain) his almost obedient nature and the code that he lives by makes his badass by default, infact most anti-hero characters who live by a code are usually badass by default, and he's a master swordsman with his Katana and his massive Yakuza tattoo on his back.

A badass film should consist of five things, a cool main hero, some stylish action/violence, a kick ass soundtrack or score, here by Dave Grusin, a cool setting and a good script. The Yakuza is stylish but also gritty at the same time, you can relate to the characters and invest in their journey and The Yakuza accomplishes this in spades. I would just like to point out that if you are looking for a fast paced action film, The Yakuza may not be the film for you, if you are looking for a solid slowburn, action film with emphasis more on plot and character, then The Yakuza is just up your street. Because of all the elements present in The Yakuza, it makes the Bad Ass Alphabet for the letter Y.  


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