INUYASHA: THE MOVIE COMPLETE COLLECTION -BLU RAY REVIEW - Cine-Apocalypse

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Friday, 10 May 2013

INUYASHA: THE MOVIE COMPLETE COLLECTION -BLU RAY REVIEW


Anime time again courtesy of Shawn Francis, this time he takes a look a popular classic anime, InuYasha, based on the Manga by acclaimed writer/artist Rumiko Takahashi, creator of the equally popular Ranma 1/2 and Urusei Yatsura. Here focusing on the the complete movie collection Blu-ray, released stateside by Viz. Check out Shawn's review after the jump...



Written By Shawn Francis

I have never heard of InuYasha and had to do some googling to educate myself on it. It basically started as a The Final Act, attached to it, which, apparently, is an adaptation of the final volumes of the manga. Four animated movies followed that have no connection to any part of the manga, but act as standalone movies.
Manga that ran from 1996 to 2008, it then became an anime series in 2000 with 167 episodes under its belt. Another series followed in 2009—26 episodes this time—with the subtitle,

InuYasha is the name of a half human/half dog demon character whose mission is to recover all the pieces of this magical jewel that were accidentally split into pieces by a human girl named, Kagome. This Kagome is from modern day Japan, InuYasha is from feudal Japan, Kagome is able to interact with InuYasha by jumping down this magical well that exists on her property and getting transported back in time. Oh, and they appear to be “girlfriend and boyfriend.”
These two do not work alone. There are others they have banded together with to recover the shards of this magical Jewel: Miroku, a monk whose primary power is a wind tunnel embedded in this cursed left hand; Sango, a Demon Slayer, who has no powers but fights with a massive boomerang shaped weapon, and rides a giant cat-like creature called, Kirara. Rounding out this motley crew is Shippo, a shape-shifter, child-like Fox demon and Myoga. a flea-sized demon who looks like an old man, with six arms.

There are four films in this collection, spread out on two discs. On Disc #1 you get Affections Touching Across Time (2001), which deals directly with InuYasha’s past. His demonic father defeated another demon by the name of Hyoga. Here we are centuries later and InuYasha must deal with its offspring, Menomaru, who has a moth motif going on. He controls the insect, using them as weapons as they swarm and flower their victims with dust that renders them unconscious. He seeks revenge, in so doing he harnesses his dead father’s powers and becomes a Godzilla sized moth-like being that InuYasha and company must contend with. In The Castle Beyond The Looking Glass (2002) a specific demon, Naraku, responsible for Miroku’s cursed wind tunnel hand is seemingly, and finally, killed by InuYasha. But this is where things go from bad to worse, a couple of female “demons” who were either in league with, or enslaved to, Naraku are free to wreak their own brand of havoc. Havoc that involves releasing some kind of powerful entity that was imprisoned in a mirror, and who has the power to give InuYasha the one thing he desires, to become a full demon.

On Disc #2 we have Swords Of An Honorable Ruler (2003). A prologue recounts InuYasha’s his tragic birth, where is mother and father died. The story here revolves around the three swords his demonic father wielded. One of them was possessed and only he had the strength to use it without any serious “consequences” befalling him, but upon his death instructions were never given as to what should become of it. The other two were bequeathed to InuYasha and his brother, Sesshomaru, respectively. The name of this evil sword is So’unga, and the story this time is how to stop it once it starts corrupting every one that handles it, even InuYasha.

The final film, Fire On The Mystic Island (2004), again concerns itself with an event from InuYasha’s past, where he and former “girlfriend,” Kikyo, were boating one day and encountered a mysterious island that materialized out of no where. Here they encountered some very evil Gods that “marked” InuYasha. 50 years later, InuYasha and gang rescue a child from some very evil Gods on an island and this time the Four War Gods will have InuYasha and their missing “property” (the rescued child) once and for all.

When I started watching these movies and saw how the first two were “resolved” I became concerned that the other two were going to be predictable. In movie #1 InuYasha is seemingly wounded mortally, but Kagome’s love for him “resolves the issues.” In Movie #2, it’s Kagome who’s seemingly wounded mortally, but, again, Kagome’s vow of eternal love for him gets them and everyone to a better place. Thankfully, Movies #3 and #4 do not revolve themselves specifically around their relationship, and I was relieved to see endings that did not hinge on their “undying love for one another.”

Each movie gets better and better, and there isn’t one that looks, or is plotted like the other. They each have unique settings, villains and supporting characters, which I give a strong thumbs up to. Movies #3 and #4 were the best, for the stories kept InuYasha and Kagome’s relationship on the back burner. The comedy, which I’m never a big fan of animated movies and series, is more plentiful in Movies #1 and #2, and again, I was relived to see it toned way down in the later films.

Movie #3, Swords Of An Honorable Ruler, is most notably the more violent and bloody, since one aspect of the plot revolves around resurrecting the dead, and there are plenty of scenes of “zombies” laying siege on our heroes. These zombies aren’t munching on people though; only fighting them.
The animation (action and character) is consistent throughout all three films and is quite good, being smooth and dynamic in the action scenes, as they should be.
All three are rendered in 1080i (not ‘p’) 1.78:1 aspect ratios, and you can either listen to the movies dubbed in English (5.1 or stereo), or in its original Japanese language (5.1 or stereo). Both come with English subtitles, too.
Extras include Production Artwork, English credits and a trailer for Neon Alley’s streaming website.

I’m not a fan of comedy animes, which is how this collection first looked, but I was happy to find that despite the comedy, which did not overtake the narratives, even in the first two movies, there were serious storylines where characters lived and died. Recommended to all InuYasha fans, but you guys probably already knew that by now, and for general fans of anime, who may not be familiar with this character, give it a look, it’s got a lot of good points going for it.
(Note: For U.K., fans, you’ll have to import this collection; it doesn’t appear you have a UK distributor of this title. Viz Media puts it out in he U.S.). 


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