I know the name Robert Conrad but realised i'd never seen anything with him in, so when i got sent this review of an upcoming double bill of his films, i decided to do a bit of research, turns out he was the original James T. West in the show Wild Wild West. anyway this review comes courtesy of stateside reviewer Shawn Francis, and these films sound like great fun, especially Sudden Death. Check out Shawn's reviews after the jump...
Until I heard of
this double feature, I have to admit, I had no idea Robert Conrad had
been in any movies. I’m familiar with him through his THE WILD,
WILD WEST television series that ran from 1965-1969. The series
came to end the year I was born, and I saw it in re-runs growing up.
My main impetus for wanting to review these two movies, especially
SUDDEN DEATH, was to see what Conrad is like in a violent,
R-rated action flick, and I admit it was really weird watching Jim
West swear and kill people
SUDDEN
DEATH revolves around a sinister cadre of businessmen down in the
Philippines trying to make their personal empire bigger by knocking
off another of their kind through a violent raid on his home. His
wife and kids are killed—yes, they show the kids get shot and die
in slow motion—but he manages to give the death the middle finger
and come away only wounded.
Enter Conrad who
plays seasoned war dog, Duke Smith, whom survivor, Neilson, goes to
for help on finding out who did this to him. Smith refuses to help,
knowing the kind of danger he would be putting himself, his daughter
and his girlfriend in, if he did. But things change days later when
Neilson is hit again, but this time he doesn’t walk away, being
blown up in his car. His daughter manages to change his mind, getting
him interested in wanting to put things right, and put down the
people who killed this man and his family. He then enlists the aid of
another experienced war dog, Wyatt, and together they kick a lot of
ass and kill a lot of people in the process.
Exploitation
actor, John Ashley (The BLOOD ISLAND movies) plays one of the
bad guys, a CIA operative, who, despite one scene, never takes off
his sunglasses, even when he’s trying to put Smith’s skull in the
crosshairs of his rifle’s scope. Thayer David (DARK SHADOWS,
JOURNEY TO THE CENTER OF THE EARTH) also shows up briefly as one
of the businessmen, and Don Stroud (THE AMITYVILLE HORROR)
appears as Smith’s main nemesis, an assassin who’s been gunning
for him for some time.
Listening to Conrad
utter ‘motherfucker,’ and watch him bloodily kill Stroud with a
pair of ice tongs in their semi-martial arts finale was a shock to my
system. He’s Jim West, he shouldn’t be doing this kind of shit.
Conrad’s second
movie, LIVE A LITTLE, STEAL A LOT (aka MURPH THE SURF) is
tamer, as Conrad plays experienced, real-life crook, Allan Kuhn. This
time around, Stroud, plays his neophyte partner in crime, Jack
Murphy, and the film bounces back and forth in time as they break
into the American Museum Of Natural History in New York to steal a
shitload of precious gems, and their life as jewel thieves in a posh,
tropical resort that eventually leads up to the crime of their
careers, not to mention the one heist that finally gets them busted.
I found the first
half of the flick, the flashbacks to Conrad’s life masquerading as
a beach boy while he ripped off the rich, to be more interesting than
the latter half of the film. There’s no “real” violence, some
scant swearing, and only one death, a suicide, which took me by
surprise. Donna Mills (CURSE OF THE BLACK WIDOW) shows up as
Stroud’s main squeeze and Burt Young (BLOOD BEACH) makes an
appearance near the end of the flick.
The transfer
(1.85:1, anamorphic) gave me some problems on my old player, a 2006
Sony DVD Changer. There was some serious, and distracting, frame
jumping that had me thinking these two flicks were poorly sourced
from PAL transfers, which I have no idea if they were, or not. During
the interim, my player broke and I replaced it with a Toshiba region
free player, and the frame jumping was almost non-existent. I say,
almost, because you can still see the jumping when the camera pans
and people movie, but with the new player it wasn’t as distracting.
Mondo Digital gave me some advice on how to rectify it, and I’ll
pass it on to all of you, in case you find it too distacting: ".
. . your player should have a setup option to either turn progressive
on or off or to change the frame rate between 23 and 29fps; try
switching those back and forth. If you're trying to upscale it to
1080p on an HD set, don't - run it at regular 480 or 1080i, and it
should look better."
MURPH THE SURF
was a bit too dark for my tastes, specifically in some of the in-door
scenes in the latter half of the film. The 2.0 Digital audio could
have been more impressive, too. Technically, these two films could
use a good remastering, but if it were a choice of the lesser of the
two evils, the other “evil” being a VHS tape or a bootleg, I’d
go with this DVD here.
SUDDEN DEATH (1977)
LIVE A LITTLE STEAL A LOT (1975)
Videotapes deteriorate over time. Heat, humidity, and improper storage take their toll on tapes, decaying the magnetic particles that represent your child's first steps. By digitizing that old footage now, you can effectively stop the deterioration in its tracks. 8mm Film Transfer to DVD
ReplyDelete