WE ARE THE NIGHT (2010) Dir: Dennis Gansel - Cine-Apocalypse

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Thursday, 18 October 2012

WE ARE THE NIGHT (2010) Dir: Dennis Gansel















It's World cinema time here at Cine-Apocalypse, today I bring you a review for German vampire film, We Are The Night, a vamp flick that aims to wash the horrible taste of Twilight out of our mouths with it's gore, sex and Gothic style. Check out my review after the jump....


 For the last 5 years us horror fans have had to deal with Twilight for our vampire fix, we didn't want it but unfortunately we were saddled with it. So with Twilight disregarding hundreds of years of vampire lore by showing us sparkly fangers we had to turn to TV. True Blood lead the way with it's mixture of ultra violence, southern Gothic and explicit sex like it was some late night channel 5 erotica but with a budget, but even though it's still airing but completely lost it's edge, it's still the best place to watch vampires in action. But where have the big screen vampires gone?...Twilight had pretty much killed them off, that's not entirely true sorry, we did get 30 Days Of Night and it's really shitty sequel, but this year proper vampires returned to our screens with Abraham Lincoln:Vampire Hunter (which is actually a really fun film) and this little flick from Germany. We Are The Night is it's name and it brings the gore and sex appeal of True Blood and the stylized action of the Blade films back to our screens.

I was actually quite interested in checking this film out as it was directed by a man called Dennis Gansel, Gansel had made a film a few years prior called The Wave, a film about a high school teacher who's unusual experiment to teach his class what life under a dictatorship would be like goes completely out of control, captivated me. It was a powerful film about a powerful subject, so the fact that he'd made a vampire flick intrigued me. We Are The Night follows a young girl by the name of Lena, when we first meet her she's a street urchin, stealing from drug dealers and dressed like Lisbeth Salander from The Girl With The Dragon Tattoo. One night she finds herself and an underground night club where she meets Louise, a blonde haired seductress. Louise is a vampire and confronts Lena in the bathroom and bites her. Lena wakes up at home in her own bed. She reaches out an arm and the sunlight coming through her curtains, causes he skin to smoulder. She's now a vampire. Lena goes back to the night club to confront Louise and finds not just her but two other women, Charlotte and Nora. They explain that she's become a vampire and that this is an opportunity to live a more full life. They take Lena to a 'sex den' where she goes mental and starts attacking a man, then a all hell breaks loose and the powerpuff girls have to clear the mess up. They leave the 'sex den' littered with bodies. Hot on their heels is a young detective named Tom who has developed a soft spot for Lena from a scene at the beginning. Back at this luxurious hotel, Lena is plopped into a bath and in a very clever all in camera transformation, she is transformed from ugly, beaten street urchin into a stunningly beautiful young woman. Then it's typical vampire movie action and drama as Lena falls for Tom and the powerpuff girls try and teach Lena how to embrace her vampirism and to live a glamorous lifestyle compared to squalid, almost non existent life that she was previously living, for a while Lena embraces this lifestyle with her new friends, but as she falls for Tom and the gang starts to break apart, the film falls into cliché by culminating in a battle between Lena and Louise on top of a building that looks like a scene straight out of The Matrix which takes the film out of it's strangely realistic setting and plops it right into tired fantasy fare.

I could go on but that would spoil the fun of this film. Gansel has done a great job on this but there seemed to be something missing. I've seen the film twice now and I still can't figure out what it is, maybe there needed to be more back story on the powerpuff girls or more back story on Tom and Lena but what ever it is, it bogs the film down. The same thing happened with Ridley Scott's Prometheus, there seemed to be a chunk of about 15-20 minutes missing that would have made the film so much better. Don't get me wrong Prometheus is a good film and so is We Are The Night but like I said it lacked something, but for a vampire film, it's one of the better flicks to come out in the last few years or so.

You're probably wondering why I’ve been referring to the three vampires as the powerpuff girls, well the characters are like this, you've got Louise, she's the leader, Blossom is the leader of the Powerpuff girls, then you've got Charlotte, she's the stubborn black haired vampire who is very much like Buttercup and finally you have Nora, the ditzy childlike vampire who is pretty much just Bubbles, all these characters have personalities which is exceptionally rare for a horror film and you kind of feel for these characters as they've not chosen to be these creatures, so you empathise with them, Charlotte especially, who although very stubborn, was taken away from her career and family in the 1920s and has had to watch her own daughter grow old and fragile while she doesn't age. It's actually a very good scene which does make you feel something for a character who for the past 70 minutes or so has just been ripping people apart. All of the cast do very well especially Karoline Herfurth who plays Lena and Nina Hoss who plays Lousie.

The action is handled well, there are some pretty good shoot outs and an interesting car chase and these scenes help the film along at a good pace, but like said previously it does seem to be missing something. But on the whole it's a rather satisfying vampire film with all the stuff we used to love about vamp flicks thrown back in to take the taste of Twilight out of our mouths, if only there was something a little extra this would be worthy of four stars but I think three is all I can give it. It's damn sight better than most of the crap that gets released these days and I thank Dennis Gansel for giving us back real vamps. Definitely worth a watch, the film is out October 15th here in the U.K and it's released by Momentum Pictures.  





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