Shawn Francis brings us his look at 88Films U.K Releases of vampire flicks Subspecies 1 and 2, from Charles Band's Full Moon entertainment. These films have vampires that don't sparkle so please check out Shawn's words after the jump...
Written By Shawn Francis
When I think of Charles Band’s Full Moon studio my mind goes straight to their Puppet Master franchise, I Subspecies flicks. I remember seeing Subspecies on cable back in the early 90s and didn’t care for it much. It’s one of those flicks that didn’t get in my good graces until decades later, when one day I just remembered thinking about it, and having this desire to want to see it again.
I
ended up buying a copy of the standard DVD from Band’s site a year
ago, and even though I think the movie still holds up, and enjoyed
it, I didn’t much care for the actual transfer. It had a weird “PAL
thing” going for it. Every time the camera moved around, the image
wasn’t smooth, which reminded me of an early PAL DVD. I was always
meaning to upgrade to a blu-ray copy until the unexpected opportunity
arose for me to review 88 Films (UK) version, which came out this
past March.
Before
I get to that let’s talk about the movie. For those not aware it
revolves around one of Band’s, and director Ted Nicolaou’s, more
popular creations—Radu, the vampire. At its core Subspecies
is basically about family dysfunction. King Vladislav, Angus Scrimm
in one of the worst wigs I have ever seen in a movie, calls back
home, Stefan, one of his vampire sons. He wants to hand down the
family heirloom, the Bloodstone, to him, but Radu, Stefan’s evil
half brother, thinks it would be more at home in his care.
Before Vladislav gets a chance to do this, though, Radu kills him and
takes possession of the stone, thus setting off a “blood feud.”
While this whole
“blood feud” is going on three girls, Michelle (Laura Tate),
Lillian (Michelle McBride) and Mara (Irina Movila) arrive in Romania
to research the local culture, and get pulled into it.
The
vampires in this movie do not turn into bats, or wolves, or mist, or
do any kind of shape shifting what so ever. The main influence for
their depiction, especially where the character of Radu is concerned,
is Nosferatu. The Subspecies of the title actually refers the
little minions Radu can create by breaking off his fingers, and
letting them mutate into these cool, David Allen created, stop-motion
critters.
Keep
in mind I have not seen Full Moon’s US blu-ray release of this
movie, only their standard DVD, so I can’t compare it to that. But
compared to the stateside DVD, this UK blu-ray is a lot better
looking. Colors are nicely rendered, especially one scene where
Radu’s pale face stands out in stark contrast to his dripping,
bloody lips after a recent “feeding.” The transfer is at a 1.78:1
anamorphic aspect ratio and the 2.0 Digital Stereo audio was good, as
well.
First
up for extras is a 2009 commentary with Charles Band, moderated by
Chris Gore; most of the talk centers on what it was like to film a
movie in Romania, which at that time was virgin territory. They also
discuss vampire movies in general, the effects of Subspecies,
and the prequel they all want to make, but know it’s gonna cost an
arm and a leg to do it right. I should note this commentary only
exists on the 88 Films version. The US version does not carry it.
There
are also 2 featurettes exclusive to the UK blu-ray and DVD: ‘Making
Subspecies: The Recollections Of Ted Nicolaou, Anders Hove And Denice
Duff’ (8:38): All three talk about their experiences. Of note,
Hove drank a lot and threw a lot of temper tantrums; Ted and Anders
became buddies on the second; Denice Duff was genuinely frightened
during her scenes with Radu in the sequel, Bloodstone. ‘Killer
Montage’ (1:45) is kind of similar to the Snake Bites montage
on MGM’s special edition of Escape From New York (1981),
which means it’s basically a collage of images from the first and
second movie set to music, in this case creepy music.
Ported
over from the US version is the Videozone (9:55) behind the
scenes featurette, which are always fun to watch since it’s a
making of taken when the movie was being made. The disc also comes
with a collection of Full Moon trailers (Sorority Babes In The
Slimeball Bowl-A-Rama, Castle Freak, The Dead Want Women, Puppet
Master, Puppet Master III, The Pit And The Pendulum, Tourist Trap,
Meridian, Zombies Vs. Strippers and Cannibal Women In The Avocado
Jungle Of Death).
Bloodstone:
Subspecies II literally picks up right where the first one left
off. Radu’s minions help in his
resurrection, after which he goes
to Stefan’s coffin and stakes his half brother. Unable to withstand
the sudden approach of dawn’s light, he flees to the bowels of the
castle to sleep. In the interim, Michelle wakes up before Radu does
and finds what would have been her new lover dead in his coffin. She
steals the Bloodstone and flees into the night eager to get herself
and the stone as far away from Radu as possible.
This
second part continues to tell the severely dysfunctional tale of the
vampiric Vladislas family. In this one, that “dysfunction” is
ratcheted up a notch with the introduction of Radu’s mother, whom
he simply refers to as ‘Mummy’ (Pamela Gordon), and, now that I
think about it, she does kind of look like what you might
expect to see after unwrapping the bandages of a mummy. His
interactions with her give us the impression she is a more twisted
and evil creature than her son. Most of the movie follows Michelle as
she copes with her new, undead nature and Radu’s pursuit of her,
for she still has the Bloodstone, but once he reclaims it, his
interest with her does not dissipate. He wants her for his own to
torment endlessly.
Michelle’s
sister, Becky (Melanie Shatner) is eventually pulled into the
picture, along with a Romanian cop, Lieutenant Marin (Ion Haiduc),
American Embassy agent, Mel Thompson (Kevin Blair) and a Professor
Popescu (Michael Denish).
Since
Bloodstone and Bloodlust were filmed back to back, the
ending of Bloodstone is essentially a cliffhanger where we see Mummy
assaulting Michelle and dragging her deeper into the bowels of the
castle.
Bloodstone
is a much more accomplished movie than the first. And I mean in all
aspects, the plot is more engaging, the very look of the film is more
polished, and even the effects have evolved. Radu’s facial
appliances are different, making him looking creepier than he did in
the first flick. There are some really nice practical effects on
display in this film where Radu’s body accepts it’s severed head
back into it’s fold in the opening, the death/disintegration of
Stefan is quite an impressive animatronic spectacle, and as usual
David Allen’s stop motion of Radu’s minions are just as
impressive as they were in the first. Unfortunately they are only
seen very briefly in the beginning of the film.
Like
the first one, the film is in a 1.78:1 anamorphic transfer, but comes
off more polished. Colors and black levels are better looking. The
audio is different as well. Along with the Dolby Digital 2.0, which
was also included on the first, you get a DTS 5.1 and Dolby Digital
5.1 audio tracks.
Features
from the first disc have also been ported over, with only the
included Videozone (20:01) being new and focusing on the
filming of Bloodstone. Note that these extras are also on the
US version of the DVD and blu-ray.
I can' believe I forgot to mention the commentary on BLOODSTONE. It's with Ted Nicolaou, Anders Hove and Denice Duff. It's a good commentary. Anders talk very little, for I don't think he recalls a lot of the production.
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